Todd_in_Minnesota
Well-Known Member
- Joined
- Oct 19, 2013
- Messages
- 96
- Reaction score
- 112
Sorry for the long, technical post, but I'm struggling with understanding what causes seize; hoping to benefit from the accumulated wisdom of this forum.
(My most recent batch went to immediate applesauce before I'd even dipped a stirring spoon in.)
And... I ran out of lye, so I have to stop soaping and start thinking for a while.
Two elements occur to me that could impact trace speed:
1. mixing temperature
2. mixing process
1. Temperature
I've been mixing lye water with the melted oils at between 105F and 120F, depending on how impatient I feel. I know cooler could lead to oils hardening rather than really tracing (but I'm not sure what 'cooler' really means in this context), but I don't know what other ways temperature contributes to trace-speed. What's the conventional wisdom around this?
Does false trace occur at a specific temperature? Does high temperature cause faster/slower trace? What temperature do you mix at, and do you pay attention to this? Is it important?
2. Process
My original process was:
- pre-pour each color into it's color-mixing bowl (using liquid HP colorant I got from a local craft store)
- mix oils/lye water at a similar temp, stir until lightest trace
- add essential oils, stir until evenly dispersed
- divide glop into color-mixing bowls
- continue mixing each color individually until desired trace
- pour color batches into mold
Recently I've started using oxide pigments that need to be in suspension to assure even distribution, so I changed my process to:
- pre-measure each color powder into it's color-mixing bowl
- add some liquid oil from the recipe (like avocado or olive) to each color-mixing bowl and stir the oxide powder into suspension
- mix remaining oils/lye water at a similar temp, stir until lightest trace
- add essential oils, stir until evenly dispersed
- divide glop into color-mixing bowls, which adds that liquid oil back into the mix to complete the recipe
- continue mixing each color individually until desired trace
- pour color batches into mold
Does either of these processes sound anything like what y'all are doing?
Am I missing something obvious or doing something stupid?
What are some better ways to do this? I'm very open to experience!
Again, sorry for the long boring post, but I get the feeling I need a reality check.
Thanks in advance!
Todd_in_Unsure-a-sota
(My most recent batch went to immediate applesauce before I'd even dipped a stirring spoon in.)
And... I ran out of lye, so I have to stop soaping and start thinking for a while.
Two elements occur to me that could impact trace speed:
1. mixing temperature
2. mixing process
1. Temperature
I've been mixing lye water with the melted oils at between 105F and 120F, depending on how impatient I feel. I know cooler could lead to oils hardening rather than really tracing (but I'm not sure what 'cooler' really means in this context), but I don't know what other ways temperature contributes to trace-speed. What's the conventional wisdom around this?
Does false trace occur at a specific temperature? Does high temperature cause faster/slower trace? What temperature do you mix at, and do you pay attention to this? Is it important?
2. Process
My original process was:
- pre-pour each color into it's color-mixing bowl (using liquid HP colorant I got from a local craft store)
- mix oils/lye water at a similar temp, stir until lightest trace
- add essential oils, stir until evenly dispersed
- divide glop into color-mixing bowls
- continue mixing each color individually until desired trace
- pour color batches into mold
Recently I've started using oxide pigments that need to be in suspension to assure even distribution, so I changed my process to:
- pre-measure each color powder into it's color-mixing bowl
- add some liquid oil from the recipe (like avocado or olive) to each color-mixing bowl and stir the oxide powder into suspension
- mix remaining oils/lye water at a similar temp, stir until lightest trace
- add essential oils, stir until evenly dispersed
- divide glop into color-mixing bowls, which adds that liquid oil back into the mix to complete the recipe
- continue mixing each color individually until desired trace
- pour color batches into mold
Does either of these processes sound anything like what y'all are doing?
Am I missing something obvious or doing something stupid?
What are some better ways to do this? I'm very open to experience!
Again, sorry for the long boring post, but I get the feeling I need a reality check.
Thanks in advance!
Todd_in_Unsure-a-sota